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ten_fwd_mods) wrote in
ten_fwd_meme2016-02-13 09:35 pm
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TEST DRIVE #18 - Ten Forward & the Low Grav Gymnasium

Option 001. Ten Forward: The first thing you see is a bar. A large, lively bar filled with many different faces and many different smells, sights, and sounds. This is Ten Forward, the Enterprise's off-duty lounge; feel free to get acquainted with your fellow travelers and try to find somebody who's in charge: this is your new home now, after all...

Option 002. The Low-Gravity Gymnasium: The gym is a large room with several alcove-like sections housing the aerobics and martial arts areas, a parrises squares area, an anbo-jyutsu court, and a separate fencing room. Most noteworthy is the area dedicated for zero-gravity training.
Zero-gravity can be, well, kind of weird, because it's not like a gradual loss of the pressure holding you to the floor--you may have taken the turbolifts, just expecting to take a leisurely run, or maybe work out with a treadmill to get in some cardio, but the minute you step into the gym you're floating, as is anything you might have been holding or bringing with you.
What now? Panic, flail, and try to swim through the air back to where the gravity is normal? Do you make the best of it and tough it out to get your exercise in? Or, as we recommend, do you start having fun with the sudden game of weightlessness? Pick your personal scenario and have fun with all the other weightless people.
Boy, this is gonna make hitting the showers after your workout awkward...
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Her eyes move to where she'd shot him, and while it looks better, she's still not pleased. Another napkin is dipped and offered. It's a weird sort of white flag, he's just going to have to deal with it.
"I'm still pissed at you for shooting me and exposing us to the world at large, but since time travelling usually only works in movies because no one considers paradoxes, I'm going to have to let it go, 'cause it can't be changed and I shot you back. So. Even?"
Unified front against space... people. Jesus fuck, space. What is with her life.
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"I'm pretty sure anarchy and vigilantism is exactly what I taught you." He looks at her as he takes the new napkin. "If you agree we're even, then we're even." He presses the napkin to his neck. "I mean if you really do. Not if you're just saying it."
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And not the little girl Charles kept trying to protect. She misses her brother, but not the way
he hovered. Even though technically, that power is Erik's. Ha.
"Look," she sighs. "There is no point in hanging on to it. You and I both know both situations were stupid, even though we both had really good reasons for doing what we did in each one. It's done. We can't change it, we know why it didn't work... I don't want you for my enemy. Ten years is a long time."
Which he knows better than she.
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He takes a breath and folds the napkin - more something to do with his hands than a necessity - before reapplying it.
"No good deed goes unpunished. Ten years for trying to save a man's life. Finally building something with meaning and then losing it right away. What good has hope ever done anyone?"
But at least, in Shaw's custody, he'd known he was alone. He knew nobody was coming for him. He knew he had no family. In Washington, he'd been fooled.
He looks away.
"That's grim, isn't it?" A small, humourless laugh. "Sorry."
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"You were safe. Others weren't. I did what needed to be done."
A fist forms, and she glances down at it before using it to slug him gently in the bicep.
"You taught me that, too... and that you can't rely on hope." And here it is, with actual sincerity. "I'm sorry."
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Except.
"I could have helped you with the ones that weren't safe. ...Once I was slightly less safe."
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She shrugs.
"In hindsight, you probably could have. But at the time, I did what I saw as the only viable option. You were the one for the many, Erik, so I left you there because I knew I could come back."
Then there was all this time-travel bullshit messing up her plans.
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He glanced at the bar top.
"In the middle of trying to shoot you, I stole the specs for those robots. That's how I knew how to wire them so I could control them." He chanced a glance at her. "Imagine what we could have done together."
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She sighs.
"I don't know what Charles wanted. Except maybe throw me at Hank as some sort of weird way of thanking him for his drug addiction, I don't know."
His glance at her isn't seen, she's avoiding eye contact by shredding another napkin.
But, "I figured that out, actually. But we didn't do that together, because you shot me. So we're back at square one, and I don't want to go around again. It's done, and it's past."
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Erik has never liked Hank or his objectives.
He glanced around the room.
"What are we going to do here?"
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Oh, that had many layers of bitterness.
She shrugs it off, and follows the path his eyes take.
"Recon sounds like a plan. Find out if we're in a really good hallucination, or if we're really in space."
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That answers one question.
He looks at her again. "Which way?"
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Her expression is under control by the time he speaks, and she looks out at the hall, before looking back into the bar. If those windows are real, either way will take them deeper in the the ship.
"Left."
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"It's very...pristine. Like a cruiseship."
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A joke, to cover the mild uneasiness at how very accurate his description was. Pristine. It's a difficult standard to maintain, and suggests money or power - or both, and far too much of it.
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"How huge? Stadium huge?"